

shot during the 2008 Olympics, the project consisted of digital photos of televised footage. as the images have been filtered so much by first a television camera, then a cathode ray tube, then another digital camera, the idea of technology plays an omnipresent role in the thematic content of the project. is it oppressive? is it freeing? the compositions, flickered and strained, themselves seem to float in a black haze of uncertainty.this is all juxtaposed and countered with something else that was distilled by all the technological filtering: a spirit of humanness. the sincerity of the athletes' exploits is also juxtaposed by the presence of pervasive advertisements and such.